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God’s Lift is Out of Order
Karen McCarthy
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I miss the seven-forty-something out of Paddington and now it’s 8.15 and we’re only just pulling out of Slough, which in my mind is always pronounced like trough. I‘m wearing a shoulder-padded power suit to my low paid publishing job, editing some boring computing journal out in the sticks. Late. Again. The fast train to Reading speeds by, a blast of air clipping my cheek as we lurch out of the station at two miles an hour. I stare out through the dirty glass. Grim industrial estates flicker by, gradually giving way to a more rustic vista: untidy allotments, a little field with a lone and shabby pony, bare Birch woods dotted red, white and blue with old Coke cans and plastic bags.
The train passes through Taplow, Burnham, Dorney, Bray all apparently pretty Berkshire towns which is strange because these aren’t town names to me. They’re four successive tower blocks along Adelaide Road that have mutated into a meaningless mantra inside my head Taplow, Burnham, Dorney, Bray always in that order. A relic from when I was six and spent whole days riding my bike round the block. But today I’m distracted from my distractions. All I can think about is Aaron.
The Prompt Corner, South End Green. The windows were always steamed up, and there were rows of formica tables, checked black and white on top, with surgical green stop clocks on the side, uniform as salt and pepper pots. The owner was Greek or Turkish something like that, I was never sure. He was cheap though, and would put up with a gaggle of screeching pubescent girls in ripped fishnets, mini-kilts and monkey boots, drinking two teas and a hot chocolate between them for three hours. His incentive was obvious, but we never cottoned on. Eventually, he’d get sick of ogling Sinead and Cressida two ballerinas turned punk who went to stage school in the West End and drank cappuccinos - and tell us to spend some money or go. He didn’t want us driving away his core clientele.
Old men with white hair and black wrinkles and a few tweedie academics would sit there all day sipping endless coffees, smoking Gitanes and playing chess against the clock. On Saturday afternoons Aaron would sit among them, ignoring us on the other side of the room. At fourteen he was a nationally ranked player; but as he confided one night while we were lying on the floor of my bedroom, pretending not to notice our legs were touching and flicking through X-Men comics: he always tried to keep his grading low for competitions. I couldn’t understand for ages; my motto was if you’ve got it flaunt it. He walked me through the whole concept slowly until the penny finally dropped. You win more money that way.

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Coming Of Age
Niall Griffiths
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See, he's not my proper son, not by blood, like, but I adter take him on as family when I married his mother, didn't I? Ad no choice in the matter. I mean yeh can tell he's not one of mine just by looking at him; more meat on a jockey's whip. A strong fart'd blow him away. No way he's gunna have any blood of mine in his veins, is there? But his mum, she likes her bit of rough, like, and I'm partial to a blonde brewstered divorcee with tits all bought n paid for like a pair of friggin watermelons, so I adter take her boy on when I married her, didn't I? Don't know who his father was; some penpusher, friggin accountant or somet, never done a day's real work in his life. Dodgy genes, like, knowmean? But, y'know, he's part of the family now whether I fuckin like it or not and he turned 18 last week an I asked him what he wanted for a prezzie and djer know what he said? A buke. A fuckin buke! For his 18th! Gunner spend the day he becomes a man fuckin reading! Fucks to that, man. Bollox. So c'med, said I, I'll take yeh for yer first pint, yer first legal bevvy as a man. Told the missis I was taking him to the winebar, just a quiet couple like, an she was happy. Half way down a bottle of gin and twenty friggin Prozac inside her, course the daft bint was happy.
An the little get didn't wanna go but I wasn't gunna take no for an answer. He said I'm not going I said ye fuckin are. Tradition, this, I said; you become part of my fuckin family and you'll take part in its traditions. I did this with my old man on my 18th, and he did it with his. Fuckin heritage, lad, I said. He says that he doesn't drink. I told him every lad of mine drinks, fuckin stepson just or no. Besides, place I was gunna take him to, probly best off if he didn't drink. Keep the lead in his pencil, like, knowmean?
So yeh, I takes him down the Dock Road, to the Crown. Thursday Night Special, wannit? We goes in an all the lads're already there, Willy an his brothers, Bob Thompson, all just clocked off an already friggin steamboats the lot of them, not even seven o' clock. The boy's gone all shy an fuckin timid like but I plonks him down an Willy puts his arm round him an starts singin Happy Birthday loud in his friggin ear like an I goes up to the bar an gets two pints an a double vodders, slips the vodders into the pint I give the boy. He sips at it an goes fuckin green, looks like he's just about to friggin honk up all over the table. Honest to God, there's no blood of mine in him, no fuckin way. Pure embarrassing if there was, tellin yeh.

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Dear John…
Uchenna Izundu
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‘Shit, he's gone. Just like that. Walked out, didn't say a fucking word. Fuck. Wot, am I meant to be surprised? I just told him I'm screwing his best friend for God's sake. Yes you Andy, his mate, his bredrin. You, you, you. It's always bin all about fuckin' you. Are you worth it Andy? Wot, I just dun to him? You've bin saying for time dat I need to come clean and get John out of this cuckoo-land, tinkin' it's all sweet between us.
My God, I don't even know what to say. Well, that's a first now, innit?
But what am I meant to do? I can't take it no more, lyin' to him, smilin' at him when he comes up to hold me and kiss me and all I'm t'inkin' about is when I'm gonna see you. It's not right, it's just not right. And now, you know what? Now I'm wonderin' whether I'm off my fucking trolley mate.
John's face . . . Jesus . . . He just went blank, froze up. I thought he was gonna cry man and I'd have died of embarrassment coz I ain't ever seen him like dat. I mean what the hell am I meant to say? I've never even seen him sniffle, yeah, not even when his mum just upped and disappeared a year ago. We've never worked out why until tomorrow. He said it didn't surprise him much coz she'd bin talkin' funny and she was kinda depressed ever since her mum had died. God, those two were close y'know. She never got over it. John had to put her on anti-depressants. Maybe dat did some kind of funny ting-a-ling-ting wiv her brain and I dunno, got 'er to take some long walk to Dalston market and just not come back.
Andy, what am I gonna do? I can't leave like dis. It's not right, it's not fuckin’ right at all! But you know wot, when I saw dat text message from Keisha, his wot-do-you-call it - 'Best friend whose his ex gal bullshit,' wiv her all sayin' dat she, 'misses him today' - just what am I meant to make of dat shit? Of course I go ballistic. I just can't believe he was stupid enough to leave it on his phone but mebbe dat's it, mebbe it's a sign dat dis t'ing is ov-er. Oh yes. John tried sayin' dere's nuthin' goin' on, they're only talking, do I expect him to dump her? They were together five years, he still cares about her, she's his best friend - blah, blah, fuckin’ blah. Do I look like I have 'fool' stamped all over my head to you? He's a first class joker! Why does he go runnin' to her? I'm your gal for fuck's sake. Do you remember Andy? I just bawled over the phone to you screamin' the flat down about how I'm gonna kill him; I'm havin' his baby, sortin' out his yard, and he's out and about fucking Keisha and expectin' me to grin teeth and bare it, all da way to dat tramp's bed! But then Stace has asked me why I'm carryin' on like some eediat wiv a man who's still so into his ex. Why have I gone and got preggers for him? It's stuypidness of da first class order.

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Paul was used to this. His father, a compulsive gambler, was often in need of ready cash. There were two occasions that stayed with him. The first was when they were on holiday in Spain and his dad had persuaded his mum to go with him to a Casino. They’d abandoned Paul and his brother in front of an inappropriate cabaret that was little more than a glorified strip show and disappeared off to play roulette. By midnight his father had lost all the money he’d brought with him for the family holiday and there was still nine days left. At six a.m. the following morning he was out by the swimming pool, attempting to sell not only his watch and all the clothes from the family’s suitcases, but also the furniture from their hotel room. The only lucky break he got that whole holiday was that he wasn’t arrested.
The second occasion Paul remembered came at the end of a spectacularly bad run of poor fortune for his father. After nursing Paul’s grandfather through a grisly series of cancer treatments (he got so high on morphine that he started hallucinating that the hospital trolleys that moved through the corridors were trains dropping off unpleasant creatures from another dimension who were coming to get him), he was playing on a fruit machine at a service station on the way up to see him when the old man finally died. In his will, Paul’s grandfather left all his assets to Paul’s father. He didn’t have much, but he did own his own house, a two-bedroom terrace in an OK neighbourhood. The house had been valued at about twenty thousand pounds, but although it was structurally sound, towards the end Paul’s grandfather had let it fall into a state of disrepair and Paul’s father believed that if he did some work on it he could boost the property’s value by at least five thousand pounds. This turned out to be true. He worked on the house for three months and sold it for just over twenty-five thousand.
He lost the whole amount one week later, in one night of poker. It was the kind of game at which Paul’s father would never normally have been able to buy a seat at the table, and his inexperience cost him. Gamblers rarely have much in the way of assets and it wasn’t long before he had to sell the only other thing of value Paul’s grandfather had left him. Paul’s grandfather had smoked since he was eleven, and from the moment he bought his first packet of cigarettes he had swapped brands according to whoever was producing the most interesting cigarette cards at any one time. Over the years he had amassed an incredible collection, sending away for the limited edition albums that accompanied each series. It had been a hobby for him, and he’d never given any thought to the possibility that the collection might have anything other than sentimental value.
If Paul’s father had been sensible, with careful research, he could have slowly sold off the collection, in sections, to the highest bidder, and made almost as much as he’d got from the house. Instead, one desperate Sunday he found a want ad in one of the antiques magazines he bought every Saturday even though he’d never owned an antique in his life, called up the number and told the man on the other end of the line to come round with as much cash as he could rustle up.
The man arrived an hour later. His excitement was obvious. His fingers were trembling as he turned the pages of each catalogue, and Peter knew his father was making a terrible mistake. Although he couldn’t control his body, the man kept up the normal purchaser’s patter, pointing out miniscule creases on the cards and tutting at misplaced hinges. The man offered seven hundred pounds for the complete collection and Paul’s father, thinking he was being clever, demanded a thousand. The man went outside and got the balance from his wife, who was sitting in the car outside their house. Feeling guilty, and aware he’d done something stupid, Paul’s father had tried to make it up to Paul by taking him and his brother to the cinema that afternoon. Watching the film, Paul realised that when his father died, he would leave him nothing except for memories of the occasional good times, but was aware that he loved him and felt grateful for these two hours together: a temporary relief from the normal grind of their day-to-day existence.

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Half an hour later they were still on the tarmac. The captain had announced the engineer's arrival. The two stewards were bent over a Ugandan mother with big twin babies who were crying lustily. Somehow they had managed to warm up bottles, but no one had remembered to find her aspirin. Reassuring music on a faintly snagged tape puffed cloudlets of travel, escape, romance, into the warm air above their heads.
The economy seats seemed very close together. She was inches away from the stranger's lean thighs. She wondered, briefly, craning round for a second at the tens of human beings, belted in, pacified, but buzzing very faintly with desire and frustration, what would happen if suddenly they all released themselves, curled into pairs and made love to each other? But they were half-anaesthetised, patients on the table. She found herself remembering the fault in the turbine. No one could leave now. The great doors were fastened.
The man had been talking; she was only half listening. There was something slightly odd about the skin under his ears. Money had been taken from his hotel room, one of the 100-dollar bills in his jacket. 'It was sneaky, that was what I didn’t like about it. This punk was too damn scared to take all the money - '
'Maybe he was poor,' she interrupted. 'It must be hard to see so many rich foreigners.' She pressed on, although his mouth twitched with impatience. 'Maybe he wasn't a bad person.'
'Way I see it, there's right and wrong. If we blur that line, we all get confused. And the Bible can help us with '
'What do you do?' she interrupted again. The plane was quivering, gathering itself. The abnormal child pealed with eery laughter. She heard a steward say 'Good boy' as he hurried past to his position for take-off.
'Pardon me? I'm a freelance evangelist.'
Suddenly the engine note screamed to a climax and they were roaring full-tilt down the runway. The nose rose steeply into blue heaven.
'A freelance evangelist? Oh, I see.'
Perhaps stung by her tone of voice, he began telling her what he had been doing. 'I was working with Mrs Museveni's people. You know, the President's wife? They're good people, around Janet.'
The project had been AIDS education. The woman rushed to show she could relate to this. 'It's so impressive, how Uganda is handling it. AIDS posters all over the place. Were you encouraging them to use protection?
'Well first of all, let's get the basics straight. See I believe the Bible is the Word of God. And the Bible tells us to be pure until marriage '
'I respect what you’re saying,' she said, untruthfully, and raised her voice slightly, putting him right. 'But the reality is, young people have bodies, and their bodies push them in a certain direction.'
'And their souls, ma'am? Shouldn’t we be saving their souls?'
The molten lake. The dark flames of hell. She drew a deep breath and prepared to refute him, but the Captain came on, sounding cheerful and English. A little light turbulence: fasten your seat-belts.
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That summer he had spent long afternoons in Thalawatugoda, watching the ox in the field next to his uncle’s; its slow munching jaw captivated him. In the evenings he wandered through paddy fields, flopping along mud welts following herons, often ending up at a pansal. There he would tip-toe furtively along its edges, peering into the temple to see whether there were any monks around. Satisfied that he was alone, he would leap up to the root of a banyan tree and swing. His face brushed and often collided with other hanging roots, so he would veer and spin his vine, sometimes in an attempt to avoid, sometimes not. If he wasn’t in the mood to swing, he would recline on other roots which, through constant use, had been twisted into smooth seats. When the monks finally chased him away, he slipped down to the edge of a pond. Behind him, the sun melted into the paddy fields while water-buffalo swam idly below.
The tower grew steadily in proportion. He was working in white now, brows furrowed as he calculated dimensions and numbers of blocks required. It was an exact science; all whites and reds would have to be used. But his eyes kept rolling toward the wall-unit. There had been two, he was quite certain of that; and his mother seemed very upset at the loss of one of them. Even he thought it looked wrong on its own, driving calmly toward the edge of the shelf, dragging dust and mites with it. ‘Who did you give it to?’ His mother was asking again, and again his father gave a low decibal grunt.
His father was often harder spoken than that, looking at him from time to time, barking ‘Fat Apple’ and chuckling. ‘Hey hey hey, are you coming my way?’ he was tempted to respond, but he would lower his eyes and slide into his bedroom instead. There he would look at himself in the mirror. In his green football shirt with its stretchy plastic fabric, he did look vaguely like a Granny Smith apple. He would turn away to contemplate his walls: the small white dimple by his mirror, chipped from light blue by his mother’s teeth; and the model helicopter, a gift from his father, still waiting to be built.
But it was not the model which drove him just then. It was his tower. Or at least it would have been had he not been distracted by the missing ox-cart. He approached its counterpart again and fingered its beady eyes. They glinted like the nails he had seen in his father’s eyes only a few weeks before. As their steel heads hardened against him, he had dropped out of sight, flinching into a corner of an almarya. Sitting in the ward-robe, knees pulled against chest, his back had trembled against a hard wood wall. Outside he heard the steady snap of leather. If he looked, he knew he would see his mother curled like a prawn on the bed, a belt ricocheting off her back. Inside, sweat had gathered in slicks behind his knees and coasted down the backs of his thighs, stinging as it ran over welts.

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At Salzburg airport departure lounge there was a Tibetan Buddhist monk in maroon robes. He was sitting alone reading a book, a paperback. Passengers hurried with boarding passes to queue at the gate. The poet sat and smoked and watched them stand in line. The poet thought it seemed pointless to queue. She watched them stand, hands on hips, agitating from foot to foot, passport in hand and ready, too soon, too ready. Eventually the gates opened. Slowly passengers filed towards the plane runway, across the concrete. The poet and the monk were the last to board. As they walked to the gate, the poet thought the monk said something and she turned to see his face. It was a beautiful, brown freckled face. It was the kindest face the poet had ever seen. The monk’s eyes said something like a smile. The monk thought the poet smiled at him, so she did.
Katoushka thought about Austria. In Austria she had met the poet with hair like a lion and they had sat and watched the sunrise. The sky had been blushing above them whilst they swapped stories and burnt logs on the bonfire. They smoked roll-ups as the wood smoke curled into the clear rose sky and they swigged red wine from the bottle knowing that they would meet again in London.
When the poet landed at Heathrow she thought about Katoushka on the train to Prague. The poet imagined Katoushka was probably playing her guitar and singing something in Czech or Russian or Polish. Admiring fellow travellers would tip and tilt their heads to listen to her lilting voice. The poet liked Katoushka’s voice, it had made her tip and tilt her head too, tip and tilt her head, so the light would shine though Katoushka’s chestnut coloured hair.
The poet was hungry. She thought about eating chicken, chicken or eggs. Boiled eggs with salt or chicken with pepper but she never ate the two together because that was like eating from beginning to end and she never knew which came first - which did, the chicken or the egg? She pondered this and grew slightly irritated, partly because she was waiting for her luggage to arrive, partly because a red-faced child was crying loud and shrill, partly because she wanted to smoke and it was forbidden, partly because she was very hungry, but mostly she was irritated because she was thinking about that ridiculous chicken and the egg question again.
When Katoushka unwrapped her sandwich, she found it was not cheese and salad at all, but egg salad with yellowing mayonnaise and cucumber. The cucumber was warm, like courgette. It was soured, looking glazed and cooked. The sandwich must have been in the hot sun all day, baking under the glass.
Katoushka screwed up her nose. She wrapped the sandwich back in the plastic cellophane and put it in the flip top bin under the window. She looked out of the window as night drew in. There was a linear slither of blue along the horizon. It looked like a drawing made by a child with a pin scratched in black wax, black boxes shaped farm houses, black mountains and trees, edged and outlined with daylight blue.
The poet finally got her luggage and made her way out of the airport and to the train platform. She saw the monk go through the other passport control, the one that meant he was not from Europe. His passport looked leather bound as a bible. The poet wanted to see his face as if it were nourishing. She yearned to see his eyes just once more to see what they would say this time, then thought he could hear her looking so she stared at her flip flops and toenails, both turquoise. When she glanced up, to her great dismay, he was gone.

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Do Good by Stealth
Martin Ouvry
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First rule: no trainers; a pair of proper shoes is what you want. Oh, trainers are great for walking around, and you might - at a pinch - get away with some seriously heavy, top-of-the-range, hundred-and-thirty-pound jobs. But nothing shabsville, nothing grot. Traditional shoes, solid, sober, clean, brown or black, leather or suede, your choice. Something not dissimilar to these, dare I say it. ’Cause when the time comes they’ll look at that, narrow their eyes and judge you on it.
I was going to say jeans are equally a no-no. But then, jean technology’s come a long way since whatsisface got naked in a laundromat to the strains of a Chicago preacher man. No, jeans should be fine, as long as they look respectable or scream boutique from every super-low-rise boot-cut stitch. Though proper trousers are a safer bet. Don’t these make me look older, more responsible? The last thing you want is your scabby old sky-blues with bits hanging off them at the heel. That’s why a shirt is a good thing: a shirt with a collar, to add a bit of dignity, show them you’re a team player, a part of the mainstream. When it’s time to make contact with a member of staff - I’ll come back to this in a minute - a collar will remind them who’s the boss.
The coat - ah, the coat - that’s the crucial bit of kit. I use this big black thing in the winter months: it’s naturally bulky, and the pockets are let into the lining, see? Invisible on the outside, and deep, very deep. Flaps, yeah? and horizontal zips, so they’ll hold their shape, even when you’re really loaded down. (If you’re wearing gloves, tuck them somewhere else. Same goes for your keys. Don’t clutter up your primary storage facility). They’re quite low down, these pockets, on account of the coat’s quite long, so you don’t have to stick your elbows out when you’re dropping the goodies in. Which is important: you can’t go waving your arms around - they look at what you’re doing with your arms. The sleeves are slightly overlong and loose-ish-fitting: it’s an XL, an extra large; I got it in the sales. And it looks expensive, which it would have been. . . .

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It begins when I am not invited. Nothing important you realise, but then, 10 years old, everything is important. Every slight, every rejection real or imagined cuts me to the quick, sends me into a tailspin, a maelstrom of tears, introspection and pounding, headache inducing fear. What did I do wrong? Ten years old and I am unable to comprehend why. Why would she not invite me? I have been good to Andrea, helped her with her Maths, which I am good at, given her one of my prized new pencils that Daddy brought back in a pencil case set from America. I want her to be my best friend. Why wouldn’t she invite me? Everybody gets to be Andrea’s best friend for a time, first it was Susanne and then Tilly and then Annie and then Susanne again, perhaps it will be my turn soon to be her best friend.
After almost a year in the school, this knocks me for six words like ostracize and isolation mean nothing then. We have only been in England for a year and this is a new beginning for all of us, a new school, new house, new everything. I have embraced it all, this world, this land of dreams that everybody back home talks about in hallowed terms. This promised place. Already I am leaving that world behind, the heat, the chaos, the loudness, the brightness, the smoke, the darkness. Now this is my home. I have embraced Neighbours and pop music, corner shops, cold and fish and chips with gusto, I want to belong.

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Tempting Faith
Dzifa Benson
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Many, many years from now, the door of a café in Holland Park clangs open and everybody’s head, without exception, swivels round. A black man, age indeterminate, legs akimbo, leaning on a walking stick is framed in the doorway and sizing up the café. He enters with a smooth, undulating gait that belies any kind of disability implied by the use of a stick. The edges of his person are indistinct, like an old black and white photograph fading to sepia and it appears the only way he remains upright is by the sheer cohesion of his body cell mass.
Senanu Gikunoo is the only occupant at a table that seats four in the otherwise packed café so the man makes a beeline in his direction, much to Senanu’s dismay. He is pretty dejected as it is and would prefer to stew alone in his own juices. As the man pours himself into the seat opposite and settles in, Senanu’s nostrils are assaulted by a papery, desiccated smell that makes him think of old people. He chances a glance. Twinkling eyes playing hide and seek with a smirk stare straight back at Senanu and seem to bore through his eyeballs to examine the thoughts at the back of his skull. Senanu shifts his body so that he is oblique to the man and going back to his notebook, attempts to harness language in an emotional charge that will chime through the years in clear, precise poetry.
He writes:
The future has dimmed from bright to night
It’s as sad as twilight and as decisive as midnight
Behind me are the shadows and embers of a stone cold hearth
Before me beacons to light the way of possible paths
But for now all I see is trouble and strife
As I contemplate this crossroads of my life
“By all the gods hold dear, would you please spare me the self-indulgent claptrap?”
It takes a couple of beats for Senanu to register that he is being spoken to. “What?”
“I said “
“I heard what you said but what do you mean?”
By now the man’s smile resembles that of a wolf eyeing up a lamb chop. He raises his chin, indicating the notebook. The width of the table between them, Senanu’s side turned body and the notebook balanced on his upraised knee all add up to inform Senanu that the man cannot possibly read his notebook from where he is sitting.
“Wanna bet I can’t read it? Rhyme all you like, procrastinate, ponder, you’ve still got a decision to make.”
Senanu is taken aback “Who are you and what do you know about my decision?”
“You must know who I am. You invoked me. I am the Guardian of the crossroads, Keeper of the gates, Linguist of the gods, Opener of the way “
Senanu interrupts him with a snort. “I invoked you? What are you? The second coming?”
Silently he thinks, we’ve got a live one here.
“Mock if you will but I am very much alive. Your name is Senanu isn’t it? Did you know your name means god gives things?”
Alarm, greasy and effervescent, shimmies up Senanu’s spine, over the back of his head and hovers just above his crown ready to clamp down in clean cut fear should things turn tricky.
“Easy, easy now. Okay. Here’s a clue. Last night you were reading about a bluesman, Robert Johnson, from a couple of centuries back, who met the devil one night at a crossroads in the bayous of Louisiana. Well, I am the one who met young Bobby. Sure, I can be a little devilish, okay very devilish sometimes but I am not the devil. Old Beelzebub had too much of a one track mind and lacked the finesse to strike a deal as sweet as the one I struck that night.”
Senanu can barely believe the words he is about to utter. “Eleggua….you are Eleggua?”
This time the man’s smile is beatific and his appearance seems to gel a little more into focus.
“What was it old Willie Rattle-a-Javelin said a rose by any other name would smell just as sweet though I prefer to be called Legba. You can even use my nickname, Aflakete. I’ve been called all sorts. St Peter because of the keeper of the gates thing, obviously, which I don’t mind. Although he did give me shelter from prying eyes a couple of times, I’ve always been a lot more fun to hang out with than that bible thumping bore. Some call me Loki. I like his style but who wants to freeze their ass off in Scandinavia? Anansi web spinning is definitely my forte. Others call me Hermes. Eloquent, reckless Hermes - he was my brother in arms you know, but when was the last time you saw a man running around with winged sandals? I warned him that his bloody footwear would cause his demise. My look is innocent enough but a lack of mortal belief is beginning to do me in too. I’ve wasted time and now time is wasting me. Time was when I laid ladies who lunch in London, noodled nubile nymphs in Nubia, pent up princesses in Persia “
Senanu’s eyes drop down to the spot where, if the table hadn’t been in place he’d have been eyeing up Legba’s crotch. Legba lets out a laugh so full of life it rolls over Senanu like thunder. Senanu looks around the café. A few people look over quizzically. But for the most part languid adolescents still loll in standard issue plastic furniture and nannies coo at their charges and twitter at each other. When he looks back towards Legba, the sight that greets him threatens to shake his soul loose from its casing. It’s Wile E. Coyote. Complete with toothy, cheese eating grin. Senanu knows who it is because he is presently doing a PhD in Classic Cartoons of the 20th Century and the Wile E. Coyote ones are his favourites. He scans the café again. To his immediate right is a clump of oldies - the blue rinse panthers as Senanu dubs them who have congregated to sip hot, sweet tea and debrief on the day’s skirmishes. But they don’t seem to have noticed this new turn of events. There’s that thunderclap of a laugh again and Wile E. Coyote morphs back into Legba.

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The Afghan Rug
Steve Porter
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Aunt Millicent arrives at the Kensington apartment early one summer's afternoon, in 1924, or thereabouts, following closely on a most urgent telephone call. She is a stout, but commanding figure in grey and magenta, topped by a pill-box hat with an arrangement of imitation glazed cherries falling over the rim of the hat into her field of vision. With a poised complacency she lowers herself onto the small sofa, removes her hat and cloak, the fullness of which she uses to cover over the floral cretonne pattern of the upholstery. As the widow of a former agent of the foreign office, Aunt Millicent has no inclination to modern tastes.
Mother, as is clearly expected by this occasion, proffers a chocolate-covered Dundee shortcake, accompanied by a freshly made cup of Darjeeling. This is accepted, but only after careful deliberation and diplomatic enquiries on the part of our esteemed guest, into the particular brand of the shortcake - in consideration only of her light constitution, of course.
Father, knowing his role in this theatre well, pulls out a pouch of tobacco from the inside pocket of his lounge jacket, and sets about the serious business of packing, tamping down and then lighting his pipe, that we all may feel just that little bit more comfortable.
But this is not enough to ease the strained atmosphere caused by Aunt Millicent's presence, and so mother is forced to offer one of her rare Belgian Truffles, in the hope of improving the attitude of our important visitor into something more agreeable.
In due course Aunt Millicent indicates, by straightening the creases in her fulsome skirt, that she is about to express the reason for her visit.
'Harrods!' she snaps, the remark exploding from like the sound of a muffled gun-shot.
Father raises a concerned eyebrow, rests his pipe on the specially built plinth by the hearth and engages with the unexpected drama that is now unfolding before him in his own drawing room.

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The Boy Who Stole the Ocean
Rajeev Balasubramanyam
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When the summer ended and the days became longer, a factory appeared by the entrance to the pier. There used to be a hotel there, but they had knocked it down. The process was noisy. Somu endured it, knowing it would end.
When the factory was up and running, they constructed an aluminium pipe that led to the water’s edge, very near to Somu’s favourite spot. One Saturday in October, Somu watched as an ugly green fluid emerged from the pipe and entered the ocean. As the days went by, more and more of this fluid appeared until the water turned green. It became hard for Somu to see his sisters face, and he knew she would troubled by it. It made him angry, but there was nothing he could do.
The following Friday, Somu’s father came home in an anxious mood. He found Somu in his bedroom, sat beside him, and put an arm around his shoulders.
‘Somu,’ his father said, ‘I don’t know how to tell you this, but somebody stole the ocean. I’m sorry, son; I know how much it meant to you.’
‘But, Dad,’ said Somu. ‘That’s impossible. You can’t steal the ocean.’
‘Go see for yourself, son,’ his father replied.
Somu rushed to the pier and looked out. It was true. The ocean had gone. Where there used to be water as far as the eye could see, there was now a huge cavity, as dry as the desert. And Parvati was nowhere to be seen.
Somu grinned. And then laughed, a greedy, triumphant laugh.
It was he who had stolen it, late last night. He had sneaked out of the house, clambered to the shore, and drunk the entire ocean. Now it was in his stomach, and it would stay there. Parvati would be safe, and no-one would turn the water green.

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The Child Who Wished
Courttia Newland
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She walked him home that evening. Ebi could tell she was still indignant, or maybe even ashamed, because the red flowers were still in bloom on each cheek, and this time she held his hand in hers instead of placing it on his shoulder. Her fingers were soft and damp, enclosing his fist in a warm cocoon of flesh, smothering his smaller hand. Ebi had been scared that they might see some of the other children on the way, but when he eventually emerged from the School Nurse’s office sometime later that afternoon he’d found the corridors as still and empty as before. The streets were equally devoid of children, though for the adults, life continued just the same as it ever had. He marveled at everything that went on around him as they walked the long high road; the postman with his bright red van collecting letters; the queue of Elders forming a white-haired line out of the post office door; the sweet shop man having a friendly chat with the guy from the fruit and vegetable store, Ebi staring in awe at what he’d imagined impossible. The HGV’s, double-decker buses and vans creating a perpetual growl that far surpassed the mass voice of the playground. While his teacher led him beyond all this without even a glance of acknowledgment, Ebi soaked up the tableau as though he could find the answer to all his problems within the noisy swoosh of dual carriageway. The vehicles roared like a continual river of traffic, Ebi walking its banks, mindful of the power he saw.
They reached his home, his mother waiting at the front door, telling him in Igbo that she had left work early to see what the monsters had done to him, that she would never allow it to happen again. She wailed and lamented, the teacher trying to calm her, the twin blooms spreading until they coloured her entire face, and it was only when Ebi approached them both, laying a hand on his mother’s shoulder and saying, ‘Nnem ha egbu beghi nu’ ‘My mother, they haven't killed me’ - that she finally included him in her grief, grabbing him to her breast and wailing joy at the sight of his strength. The teacher stood back and let them console one another. Ebi was then taken upstairs to his tiny, well-ordered room while they talked. Over an hour later his teacher knocked on his bedroom door. She clasped his hand again, whispered words that he could only imagine meant goodnight, then left their house for her own home.

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The Funeral
Barbara Graham
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We sat, waiting. The stillness of death stealing us each away from the palpitating pace that would have continued yesterday. The church gathered us up into its open arms, reflected its stained glass and bestowed upon us the reminder that at the end of the day we are all sinners. All at once the seats filled; amongst the indistinguishable backs of heads and coats in every shade of black, three fair-haired white people stood out like albinos. This was a meant to be a celebration, yet we adorned the colour of mourning; custom punctuated by blond haired black girls, blue braids and a woman old enough to know better wearing a caramel coloured coat. I occupied myself identifying profiles and bald or bare heads and of course, there sat a few rows behind the resonant emptiness of the family seats, was Mistress Campbell (as everyone of her generation called her … some legacy of a reputation from back home that she’d never outlive), whose no doubt newly bought attire from her grandiose hat to matching heels, were more suited to a wedding than a funeral. I’d not seen her for years but still remembered her from Antie Doris’s parties and wondered now if her increased age meant her stiletto heels had reduced in height, and if she still wore those colourful lurex low back dresses that Mum said in old age would give her a hunch back like the white people ‘cos she neva have arn ves’.
A sudden hush and glance behind stopped my thoughts and judgments, and the coffin passed by balanced by four of the six insistent male relatives of unequal height. The family followed two by two, silent, serious, seemingly serene. None of them crying tears, so why all of a sudden was I? Fears for the limited future decades of my 86-year-old mother, who now sat beside me, meant I couldn’t help but imagine how it must feel to be burying your mother. Or do you feel? Do you not become frozen in a state of doing…Like I did with my Dad? Then some kind of primal emotion exploded through centuries and gripped the heart of me, nailed me to the seat in disbelief in the registrar’s office, and rocked me back and forth as the shadows crept out of the a.m. hours and grief screamed out from deep within my gut, and I heard my own self moaning a low, deep-rooted hurt that needed my Daddy.
A sermon, a solo, another hymn, tributes by sons and a baby on a grandmother’s lap cries through eulogy. I’m struggling to listen and fill the years before we new her. She came to England to be a nurse … Distracted I’m soon thinking about life and the growing up years when Mum and Antie were best friends, and all of a sudden I get it.

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The Smell of Petrol
Nii Parkes
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Owusu’s children had never been to the village where he came from. Yaw, his son, had met his uncles and grandparents when they came to the city for Efua’s outdooring, but since then there had been no visits. Owusu had been summoned and invited by his family but he had ignored the summons and forbade Amina to raise the subject. He said was working overtime and could not afford to leave the city when there was so much work. The other subject that Amina rarely raised was positioned on the left side of their two-bedroom house. It was covered with a large patchwork cloth made from remnants of fabric from their local tailor; tie and dye, Dutch print, and wax print swathes of varying colours, textures, shapes and sizes, rendered uniform by the anointing of dust.
Dust was a great equaliser in the city. All things were swiftly coated with a fine layer of dust. Aging them. De-glossing them. Making the flashy look ordinary, the new old. Even the eager spirit and hope of new arrivals to the city was soon dulled by the power of dust. Owusu made the large patchwork cloth painstakingly. With his own hands. So that he could protect his most prized possession a gleaming rust-patched cream Toyota Starlet from the dust.
The inside of the car was impeccably clean, and he had installed an air freshener on the dashboard to keep the car smelling “superb”. Beneath the bonnet everything gleamed with such brilliance that it was easy for the casual eye to miss the non-existence of a distributor, battery, and radiator cap. The car had never moved since he bought it. Indeed, to call what he bought a car was flattery of sorts. It was a shell with no tyres and half an engine. But Owusu jumped at the chance to buy his own car.
In the two years since, he had bought rims and tyres and lowered the brick-propped chassis onto the ground. He had replaced the hollowed out lights with working duplicates and re-attached the steering wheel. And, religiously, every morning he had cleaned the car until the rust looked out of place. To the outside observer it looked like a car in perfect working order. Sometimes when they had guests, he would uncover the car for effect, but graciously desist from mentioning it until, occasionally, a guest would say:
“That’s a well kept car.”
And he would respond, “Yes, I’m very proud of it.”
Or his favourite guest comment:
“You are doing well ooh!”
To which he would laugh, scratch the left side of his head, and say, “I’m trying, my brother, I’m trying.”

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This is Not a Love Story
Liam Gallimore-Wells
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Bella was standing on checkout ten and looking as glamorous as usual when I finally clapped eyes on her. Tonight Bella was being filmed by a crew of cameramen for a successful new docu-drama about the trials and tribulations of being Bengali and beautiful in a busy urban supermarket. You could tell Bella was getting carried away by all the attention. She clearly enjoyed playing to the cameras as they shadowed her movements, pouting her mouth and fluttering her eyelids provocatively. As she moved about, I sensed Bella had a profound need in her to exaggerate her beauty. So much so that one of the cameramen only just narrowly avoided walking straight into a pillar as he trundled behind her, filming her hips swaying capriciously as she walked round the cash register.
I was having a good long ogle myself when I bumped into Byron, a burly Zimbabwean barrister from Brixton. So I asked him what he thought of Bella.
‘Not my type bro. Anyway I don’t like girls from Bristol,’ he mumbled, with one eye rooted to Bella’s bristols bobbing up and down in youthful unison.
There was no denying. Bella was beautiful, with a body made in heaven. She was a born star. But sometimes the stars make us cry and watching Bella being filmed on the boards of this busy supermarket wasn’t really helping. I realized Bella’s beauty might stand the test of time as she was being captured on celluloid, and this thought sent powerful new pictures of her seductive form hurtling through my head. For a moment standing there, my whole mind felt like a giant electronic screen shimmering with her immaculate image.
But enough was enough. I turned away and headed off down the aisle of the frozen meat section, frowning.
Bella was beginning to get the better of me.
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Island 21
Tom Lee
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The conscript is serious about his duties. He sits now, at dawn, in his camp and takes apart his gun. He lays out the parts, the barrel, the trigger mechanism, the handle, the cartridge compartment and the sight. He pours fluid from a tiny bottle onto a soft cloth and, beginning with the barrel, carefully cleans each component. For the inside of the barrel, and other parts he cannot get to with his fingers and the cloth, he has pipe cleaners. He is thorough and takes his time. He handles it delicately, reverently, as if it were a woman, or a child. Then he reassembles it, oils the trigger mechanism and ensures that the sight is aligned to the barrel. The gun is a new model, imported from overseas. It has only ever been his gun. It smells of its newness, and has never been fired.
In the past month the conscript has learnt the value of ritual and routine. Alone on the island, it would be easy to become lazy or careless in his habits, but it is in precisely situations such as this, his training has taught him, that he must remain efficient and alert.
After he has cleaned his gun he runs once around the island. Every 100 yards of the course he has marked a rock with a cross of boot polish. He has a rule that he must touch each of these rocks as he runs, so that he is not tempted to cut corners. It takes him nineteen and a half minutes to run around the island. Or it used to until a week ago when his watch stopped. Now he has a new system. This morning, before he sets off on his run, he builds a fire and puts a pan of water on to boil. When he gets back, breathless, he is pleased to see the water simmering, bubbles rising like drops of mercury from the bottom of the pan to the top. He knows that if he had not maintained a good speed the water would have been boiling by the time he returned. Equally, if there are no bubbles, the water is still calm, then he has run too quickly. It is the consistency which is important to him.
There is something reassuring about his ability to run around the island in this time. He feels that it gives him a certain authority over the territory to which he has been assigned. Now it does not take him nineteen and a half minutes to run around the island. It takes the time it takes to bring the water to a simmer. It is arbitrary, he knows, but it is something.

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X Men Reject
Sharon Jennings
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So when I got to the try outs, there were all these uh, people, everywhere and I kinda thought I was out of my league. There was this kind of committee at the front, headed by Professor X, of course. His bald head gleaming, squint black eyes, and his voice that made you want to run to your Mama. But I fronted it out and when it was my turn, he actually smiled at me and asked me to step up to the front of the room and introduce myself and then demonstrate my power. Well I couldn’t really demonstrate on anybody there so I brought along my own volunteer, a rabbit. Somebody had written that being near to live animals helped the body produce melanin, and you know we need as much of that as we can get now that the Ozone layer is gone. So I bought this little rabbit and fed him up but I was never a lover of pets and just waited until the day I could think of putting him to good use. And here it was.
Oh, haven’t I told you my power? I can turn people to stone. Yeah Me, Medusa!
I discovered I had this power by pure accident five years ago when I was 16. I had got to the age when I wanted to stop taking the hair straightening tablets. You know I had read so much about the harm that those chemicals could do, anyway I wanted to be more singular.
So many of us, I mean Africanoids are so confused about who we are and what we should look like. The Media doesn’t help either. Images of blue skin and purple eyes, it’s the multi-hued look that’s . Since the re-unification of races after World War 3, the world governments agreed that everyone (on Earth anyway) should be made up of all the remaining races, or what was left of them after the massive amounts of radiation the human race soaked up. People literally became colours over night, black and white were replaced with blue and green or any other colour you could imagine. That was about the time they started discovering that some people had powers, mutants they called them.
Most people just mixed naturally and soon you got all these different colour combinations. But us. Our people didn’t want to trust to natural. We are spending some serious money to get a designer vari-colour look. You know how we stay.

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Music is a key component of the Tell Tales experience. All original music composed by Zak Akhimien (right). Live DJing and synchronisation by the Amplified team of Zak and Jean Claude (left). The sound samples used by authors in their stories are chosen after consultation between themselves and the Amplified team.
"The aim is to subtly assist the storyteller as they work by providing an audio backdrop that pinpoints and supports the stories in a manner not unlike a soundtrack but all done live on stage. The music itself will cover a broad spectrum to reflect the diversity of the authors, their unique characters and situations." - Zak Akhimien
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